#Tennessee whiskey song kerry underwood full#
Jones and Coe brought everything full circle at the Farm Aid concert in 1985. He brought the song to the 77th spot on the chart, and set the framework for the success it would experience in later years. It turns out that David Allan Coe was actually the first artist to record “Tennessee Whiskey,” two years prior to the release of Jones’ version. However, Jones’ version is often incorrectly attributed as the original one. George Jones‘ 1983 recording brought the song into the spotlight after it claimed the second place on the country chart. A string of successful recordings have led to its never-ending popularity, including Chris Stapleton‘s #1 hit version.ĭue to the attention surrounding Stapleton’s version, few realize that he wasn’t the first to record it.
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I’d rather drink bourbon in Kentucky with Dierks Bentley though.Īnthony Easton: The precision, nostalgia, perfection, and settled quality of his voice almost as boring as a chorus of the same metaphors in the same dull package - proof that knowing how to play or being authentic is much less interesting than anything else you can do on the stage at the CMAs.After more than 30 years, the song “Tennessee Whiskey” remains a country music staple. I’m perfectly fine with the song, but in a genre like country which is having its own internal authenticity debate, throwing laurels at this feels like a statement of intent more than a statement of merit. I prefer his voice to David Allen Coe’s, though.Įdward Okulicz: The chorus codes more soul than country to me, and it’s also the best bit.
Intentional or not, it captures the distorted sense of time after getting sloshed on the titular drink. Sonia Yang: The tempo is maddeningly slower than what I expected, the wait between snare hits agonizing. On the evidence I prefer him when he writes for Luke Bryan. Is “Tennessee Whiskey”‘s sentimentally distinct from “ Love You Like That“? No, but it is more boring.Īlfred Soto: The CMA winner bored me in May with his inflexible inhabiting of blues country tropes, and “Tennessee Whiskey” still sounds like a mannered exercise, each melisma sung with deadly conviction. “Tennessee Whiskey” is a hearty ballad, sung sonorously and decorated with guitar playing that unfurls in lusty plumes of smoke. Stapleton, due entirely to his fame making awards grab, joins them, but for half a year exponentially fewer country music fans cared about Traveller. Carrie Underwood, Tim McGraw, and Eric Church - all long reigning superstars - remain undisputed hitmakers. But the current Billboard 200 tells a different story. That, to the relief of many watching the genre lose its perceived rigidity, classic and authentic country music returned to its rightful place atop the heap. Megan Harrington: Stapleton’s numerous CMA wins suggest that country’s academy is through with feting the chart topping party boys. And somehow - let’s chalk it up to sheer talent - he also makes the song sexy (let’s face it, the Possum wasn’t known for sexy songs.) There’s more where this came from, but this might be the highlight of Traveller. One of the few songs on Stapleton’s solo debut Traveller that he didn’t write is a cover of George Jones’ 1983 #2 hit “Tennessee Whiskey,” but Stapleton completely reworks the song from the inside out, turning it into a gut wrencher, more Southern soul than country. Stapleton has already written hits for others that I’ve liked quite a bit, from Darius Rucker to Thomas Rhett. Honestly, when I heard all the hype earlier this year from people who don’t normally like country music, I assumed he was this year’s Sturgill Simpson. Thomas Inskeep: Confession: I consider myself a pretty big country fan, but I hadn’t heard Chris Stapleton until his star-making performance on the CMA Awards with Justin Timberlake. Pharrell WilliamsĪlthough we’ve reviewed plenty of his songwriting hits, this is our first visit to the rodeo with this CMA-coronated performer.
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